Pedals / Hard-clipping orange distortion

Crazy Tone

Hard-clipping orange distortion · play-tested

seth — fish
seth@ninevolt:~$ 
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Knobs

In the TUI each knob runs from low (left / 0%) to high (right / 100%). Start near noon, then nudge while you play.

Distortion

How hard the pedal pushes your guitar into grit and fizz.

  • Turn up More crunch, sustain, and aggressive clipped tone.
  • Turn down Cleaner attack — closer to your dry guitar with just a hint of edge.

Tone

Balances dark body versus bright fizz.

  • Turn up Brighter, thinner, and more cutting in a mix.
  • Turn down Darker and thicker, with less high-end bite.

Level

Overall output loudness after the effect.

  • Turn up Louder — can push the next pedal or amp harder.
  • Turn down Quieter — useful to match your bypassed volume.

Inspired by

Boss DS-1 Distortion (1978–present) — two-stage gain (transistor booster + op-amp), hard-clipping diodes to ground, Big Muff–style scooped tone stack. Kurt Cobain Nevermind; appears in Ninevolt profiles (nirvana-nevermind, nirvana-chorus, misfits-danzig-era, etc.).

Signal path

StepWhat it does
Input HPF ~60 HzBlocks DC / sub rumble (maps C1 coupling).
Transistor boosterQ2 soft asymmetric pre-clip (~35 dB equivalent) — even harmonics.
Op-amp gainDistortion → up to ~22.3× (1 + distortion^1.04 × 21.3).
Pre-clip HPF ~72 HzC8/R13 — bass distorts less at high gain.
Pre-clip LP ~7.2 kHzR14/C10 mellows grain when diodes idle.
Hard diode clip ~0.7 VD4/D5 shunt to virtual ground — fizzy hard knee.
Tone LP / HP blendTone blends 234 Hz LP vs 1063 Hz HP — scoop ~500 Hz at noon.
Level + clampRestores tone-stack loss; output trim.

How we modeled it

Full DS-1 chain: booster asym soft clip → variable op-amp gain → pre-clip filters → hard diode clip → Big Muff tone blend → Level.

Simplifications

- Single combined gain stage vs separate Q2 + op-amp math (character preserved via booster + op gain split) - One-pole tone filters vs −6 dB/oct passive stacks - Mono only; no battery sag or buffer stages