Distortion
How hard the pedal pushes your guitar into grit and fizz.
- Turn up More crunch, sustain, and aggressive clipped tone.
- Turn down Cleaner attack — closer to your dry guitar with just a hint of edge.
Pedals / Hard-clipping orange distortion
Hard-clipping orange distortion · play-tested
seth@ninevolt:~$
In the TUI each knob runs from low (left / 0%) to high (right / 100%). Start near noon, then nudge while you play.
How hard the pedal pushes your guitar into grit and fizz.
Balances dark body versus bright fizz.
Overall output loudness after the effect.
Boss DS-1 Distortion (1978–present) — two-stage gain (transistor booster + op-amp), hard-clipping diodes to ground, Big Muff–style scooped tone stack. Kurt Cobain Nevermind; appears in Ninevolt profiles (nirvana-nevermind, nirvana-chorus, misfits-danzig-era, etc.).
| Step | What it does |
|---|---|
| Input HPF ~60 Hz | Blocks DC / sub rumble (maps C1 coupling). |
| Transistor booster | Q2 soft asymmetric pre-clip (~35 dB equivalent) — even harmonics. |
| Op-amp gain | Distortion → up to ~22.3× (1 + distortion^1.04 × 21.3). |
| Pre-clip HPF ~72 Hz | C8/R13 — bass distorts less at high gain. |
| Pre-clip LP ~7.2 kHz | R14/C10 mellows grain when diodes idle. |
| Hard diode clip ~0.7 V | D4/D5 shunt to virtual ground — fizzy hard knee. |
| Tone LP / HP blend | Tone blends 234 Hz LP vs 1063 Hz HP — scoop ~500 Hz at noon. |
| Level + clamp | Restores tone-stack loss; output trim. |
Full DS-1 chain: booster asym soft clip → variable op-amp gain → pre-clip filters → hard diode clip → Big Muff tone blend → Level.
- Single combined gain stage vs separate Q2 + op-amp math (character preserved via booster + op gain split) - One-pole tone filters vs −6 dB/oct passive stacks - Mono only; no battery sag or buffer stages