Pedals / Filter-heavy RAT-style distortion

Black Rat

Filter-heavy RAT-style distortion · play-tested

seth — fish
seth@ninevolt:~$ 
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Knobs

In the TUI each knob runs from low (left / 0%) to high (right / 100%). Start near noon, then nudge while you play.

Distortion

How much grind and saturation you get.

  • Turn up Thicker, more saturated distortion.
  • Turn down Leaner drive with clearer note attack.

Filter

Cuts high frequencies after the distortion (this control darkens as you raise it).

  • Turn up Darker, thicker, more muffled — tames fizz.
  • Turn down Brighter and sharper — more buzz and edge.

Volume

Output loudness.

  • Turn up Louder.
  • Turn down Quieter.

Inspired by

Pro Co RAT (1978) — LM308 op-amp distortion with 1N4148 silicon diode hard clipping and a post-distortion Filter low-pass (475 Hz–32 kHz sweep, knob reversed vs most “tone” controls). Kurt used a RAT on In Utero sessions; Ninevolt profiles reference it for Nevermind studio tone and Metallica-style grind.

Signal path

StepWhat it does
Input HPF ~60 HzR7/C10 (560 Ω × 4.7 µF) — first leg of dual RC on op-amp input.
Pre-clip HPF ~1.5 kHzR8/C11 (47 Ω × 2.2 µF) — second leg; bass rolled off before clip, mids into diodes.
Distortion gainDistortion knob → up to ~79× (1 + distortion^1.08 × 78; analog ~2300×, scaled for digital).
Pre-clip soft LP100 pF feedback rolloff + LM308 slew; cutoff falls as gain rises (~1 kHz mid hump).
Silicon diode hard clipSymmetric 1N4148 pair — knee at ~0.65 V then rational hard limit.
Filter one-pole LPFilter inverted: CCW/ low knob = bright (~32 kHz); CW/ high = dark (~475 Hz).
Volume + clampVolume scales output (0.12 + volume × 1.25).

How we modeled it

Classic RAT path: dual RC pre-clip EQ → gain → LM308-softened drive → diode clip → reversed Filter LP → Volume. Mid emphasis at high Distortion comes from the gain-dependent pre-clip LP (slew/100 pF), not from moving HPF corners. Factory In Utero preset targets moderate drive with mid Filter.

Simplifications

- No LM308 vs OP07 chip switch (Turbo RAT, You Dirty RAT, etc.) - Analog ~2300× max gain scaled to ~79× for digital headroom - 100 pF feedback LP applied post-gain, not inside a feedback loop - No JFET output buffer or volume-stage HPF